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Showing posts with label Stupefying Stories. Show all posts
Showing posts with label Stupefying Stories. Show all posts

Tuesday, May 15, 2012

The Slushpile Survival Guide

A Manuscript's Odyssey, Part 1

People always ask, but not always nicely, "What happens to my manuscript once you receive it?" Every publication is different, of course, but here at STUPEFYING STORIES, our process looks something like this.

When we receive a new, unsolicited manuscript, the first thing we do is bury it in soft peat for four months to give it that rich, smoky flavor—

Just kidding. The first thing we do is:

1. Check to make sure it's addressed to us. Yes, we do receive submissions addressed to other publishers. Unbelievable as it may seem, it happens all the time. One wonders what, say, Andromeda Spaceways makes of query letters demanding to know why they haven't responded to stories they never received.

And for future reference, the word in our publication name is Stupefying, meaning "to stun or astonish," not Stupifying, meaning "to make stupid." I used to be more tolerant of misaddressed email, but given the volume of submissions we receive, not any more.

2. Check to make sure there's a story file attached. You'd be amazed by how often we receive a cover letter without a story. And "story file attached" means attached, not posted on a file-sharing or "cloud" site. We're generally trusting people, but even we are not fools enough to click on links in unsolicited email messages.

3. Check to make sure the story that's attached matches the cover letter. Sometimes it's merely a matter of the writer giving his or her story file a goofy name, but about once a week someone sends us a cover letter extolling the virtues of one story and then the file for another. If the cover letter and file name don't match up, we'll try to figure out what's going on, and bounce the submission back to the author if needed.

4. Check to make sure the story is in a file format that we can read. Apple owners, this means you. We can't read .pages files. Stop sending them to us. There are other problematic formats, but Apple .pages files are the foremost offenders. Sending us an unreadable file only gets you an instant rejection.

5. Download the story file and scan it for viruses and malware. All submissions go into a quarantine area first, where they're isolated from our network, and then they're scanned to make certain they're safe to open. Yes, this is necessary, as we do receive infected files on a regular basis. Sending us an infected file only gets you an instant rejection.

By the way, this is the last point at which anyone sees your cover letter. Once the story file is separated from the cover letter, the cover letter goes into an archive, from which it is retrieved only when it's time to write the acceptance or rejection. Beyond this step, our readers will be judging your story strictly on its own merits; on what you've put into your story, not what you've written about it.

This step is also a significant point of failure for many stories. In perhaps ten percent of submissions, we'll see something in the cover letter that's so "off" it makes us want to look at the story right now.

This, despite what you may have been led to believe, is rarely a good thing. Once in an extremely rare while we'll be pleasantly surprised by the story. Far more often, though, this first look only confirms that creepy feeling we got from the cover letter: that at best, the would-be author has no frickin' clue how to write so much as a paragraph in intelligible English, and at worst, that the author writes fiction at the suggestion of his psychotherapist or parole officer, as a way to externalize his sickest sado-sexual psychiatric issues safely.

Such stories get an instant rejection. They never even make it as far as the slush pile, unless we're really overloaded with submissions and must open the floodgates solely to relieve the back-pressure.

6. Log the story as received. At this point we log the story into our manuscript tracking system by date received, author, and title; assign it a tracking number; generate a form letter to the author giving him or her the tracking number and our best (but rarely accurate) guess as to when he or she can expect to hear a response from us; retitle the story file, with a generated name composed of the tracking number_author name_story title -- given the commonality of story titles and file names, this is the only way we've found to keep the six different stories we've received this month with the title of "The End" from overwriting each other --

And now, we're ready to start passing the stories out to the Fearless Slush Pile Reader Corps, and for the real fun to begin!

...to be continued...

Monday, April 23, 2012

The Slushpile Survival Guide

How to be an Alpha Reader
by Jason R. Peters
FSPRC, STUPEFYING STORIES

When I submit unpublished work to friends, family, writing groups, ex-girlfriends, my landlady, the bartender and my mailman, I’m only interested in one thing:  

Did you keep reading?

But of course you kept reading. You’re my mailman, for Zeus’s sake; you owe me that much.

Wrong. If you kept reading out of obligation, you’ve done us both a disservice: wasting your time on a story you don’t like, and giving me a false impression. Worse, some people assume they must read the whole ten-book series, and because they’re busy, they never read a word. (NOTE: New authors typically should not submit epic series, but that’s another issue.)

Neither is any help. Instead, I implore you:

Read the first sentence.

That’s all. (Still too busy? If you have a television or Facebook account, I don’t believe you!)

Jason, I can’t judge your whole story on just one sentence!

Sure you can. People do it all the time. They decide to see a movie based solely on the preview, pick up a book based on the title and cover, or spend $60 on a videogame they’ve never played. This is comparatively more fair.

But to ease your conscience, don’t judge the whole story. Just the first sentence. Don’t even analyze it in detail. Just consider one thing:

Did it prompt you to read further?

If not, tell me why. You don’t even have to figure out what needs to be fixed, just tell me what you experiencedWere you bored? Confused? Disbelieving? Annoyed?


This is why I don’t accept “I’m unqualified” as an excuse. If you’ve ever liked or disliked a book or movie and could articulate why, you’re qualified. I’m not looking for MFAs. I’m looking for readers.

What if I read past the first sentence?

Cool, I got one thing right; only a million more to go. However, you’re still not obligated to read the whole story. If the first sentence gripped you, try the first paragraph. Still undeterred? Read the first page.

And then, only if you cannot put it down, read the first scene or chapter.

Don’t do me any favors.

If you read my story to the end, it should be because — and only because – you loved it. There's no other reason. This is why ”I’m too busy” is a poor excuse. If you liked it, I’ve given you free entertainment. You can now return the favor by telling me what to improve.

If you didn’t like it, why are you still reading? Stop and tell me why.

This is how editors and agents read unsolicited manuscripts, with one difference: usually, they’ll give the author at least one page in which to hang himself. Properly formatted, this is just 13 lines of text. If these 13 lines don’t astonish, delight and impress, the story goes in the trash and the author gets a form rejection.

The Bottom Line

I am not trying to determine whether you think I should add a scene, remove a character, switch point-of-view, or cut words. That all comes later. (Though if you can tell me now, feel free to do so.) I’m just trying to determine one thing:

Can you put it down?

All other considerations are secondary. When you read my story, my career is on the line, and there is only one wrong answer.

Lying.

Wednesday, May 19, 2010

Stupefying Entries

There is some confusion as to the submission process for the anthology book Stupefying Stories (and that's just among the acquisitions editors). I hope this will clear some things up and make others murkier. And I trust that if this isn't correct, Sir ~brb will either delete the post or edit it to within an inch of its life or leave five consecutive comments culminating in a profoundly thoughtful thesis on the place of fanfic in the speculative fiction genre. (I'm gonna guess he's against it.)

How to submit:
1. If your story was submitted to a contest at The Friday Challenge, submit the link of the story to kersley dot fitz at yahoo dot com
2. If your story was submitted to a contest at the old Ranting Room, submit the link of the story to tabby dot wrangler at gmail dot com
3. If your story hasn't been submitted to a contest but you love it and you want to submit it, send it to tabby dot wrangler at gmail dot com
4. If you can't remember if you submitted it or you can't remember if you submitted it to the Ranting Room or The Friday Challenge, send it to tabby dot wrangler at gmail dot com

What to submit:

Sci fi
or Fantasy
or Alternate History
or Superhero
or Supernatural
or Supernatural Romance
or Horror
or Magical Realism
or Contemporary Fantasy
or Steampunk
or Cyberpunk (TM)
or Dystopia
or Utopia
or Speculative Spiritual
or Post-Apocalyptic-Amish-Vampire-Romance
or Anything Else
or Whatever It Is That Vidad Writes

Do Not Submit:
Fanfic

Other:
Type: prose or poetry
Word Count: I'm gonna go out on a limb and say 15,000 for a limit, but, truth be told, we'll read anything
Previously Published: So doesn't matter
Gender: It would probably be best if you had a gender, but it's not necessary
Contributor to the Friday Challenge or the Ranting Room: Preferable, but not necessary
Story previously submitted to the Friday Challenge or the Ranting Room: Are you not getting this? We are desperate for stories! Stop worrying about it and submit the stupid thing. If we don't want it, we'll tell you in as gentle terms as possible.

If you have any questions that were not answered in this hodgepodge, leave them in the comment section and I'll answer them. Or, at least, make something up that sounds vaguely plausible.
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